Speaking into the unspeakable

War. It is on our screens and in our faces, from many corners of the globe. It weighs heavy on the heart, as the seemingly endless tragedies of innocent victims play out time and again. Hard to watch. Hard to see. Hard to know how to pray. The horror of it all almost unimaginable. The writer of Ecclesiastes wrote over 2500 years ago, ‘There is nothing new under the sun’ and certainly as far as human conflict is concerned, he was right. The First World War commemorations have reminded us of the scale and cost, paid in lives a hundred years ago.

flood of poppies at the Tower of London

Bloodswept Lands and Seas of Red

In my early teens I discovered the poetry of Wilfred Owen, whose vivid word pictures captured the stuff of nightmares. The physical, moral and emotional maelstroms facing those fighting in the trenches. I am not sure any other poet has been able to express the pathos and pointlessness of war so eloquently.

Anthem for doomed youth

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells,
Nor any voice of mourning save the choirs, –
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing down of blinds.

This poem could have been written for the youth of Syria, of Gaza, Iraq. .                           Its timeless truth as apt. He saw his poetry as a warning for humanity as he looked into a future he would never see. He was killed on the 4th November, 1918 just days before the end of the war. His parents had news of his death as the bells were ringing out for Armistice on the 11th of November. He was just 25 years old. Compiling a book of his poetry, he wrote in his introduction Above all I am not concerned with Poetry.      

unnamed My subject is War, and the pity of War. The Poetry is in the pity. Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is warn. That is why the true Poets must be truthful. His warnings unheeded, his truths live on. As part of the commemorations, a place where I work held a re-enactment of the first men of the town marching off blithely for ‘King and country’, cheered on by those left behind. It was a sober moment, realising that a high majority of those marching would never return. A whole generation of young men wiped out, leaving a crater of grief and hardship in the towns and villages from which they came. I have just finished the book The Quick and The Dead: Fallen Soldiers and their families in the Great War by Richard Van Emden. If every poppy in the photo above of Paul Cummins/Tom Piper’s artwork on display in the Tower of London, represents a life, graphically capturing the magnitude of loss, this book’s collection of letters and personal insights paints the petals of a few. Setting them in the context of their homes and families, it examines the impact of the war on those left behind, parents, wives and children and the reverberations down the generations since. In the summer of 2010, Lilly Baron a frail 97 year old made her way to France to lay a wreath of lilies at the place of her father’s death, and say a prayer She had been born in 1912 and her father had died in November 1917. Her note with the lilies said simply.

Daddy, Thank you for five years of real happiness- I have missed you all my life.”

She was to die herself, a few months following that journey.

The following fragment from a poem by Wilfred Owen called Strange Meeting, envisions a meeting between fellow soldiers on opposite sides, just after death.

“Strange friend,” I said, “here is no cause to mourn.”
“None,” said that other, “save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress.
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery;
Wisdom was mine, and I had mastery:
To miss the march of this retreating world
Into vain citadels that are not walled.
Then, when much blood had clogged their chariot-wheels,
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.

 

  How much do we find ourselves again in need of those ‘sweet wells’ and ‘truths that lie too deep for taint’. Wilfred Owen was able somehow to find the words for the unspeakable. Lacking his eloquence, I can only weep, and pray Kýrie eléison,

Lord have mercy, Christ have mercy, Lord have mercy’  

longing for that day when

They shall beat their swords into ploughshares, and their spears into pruning-hooks; nation shall not lift up sword against nation, neither shall they learn war any more. Isaiah 4:2

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War


My subject is war, and the pity of war..” wrote Wildred Owen, a First World War poet in the preface to a collection of his poems. He was well qualified to write about it, having known that particular hell- on- earth from the inside, in all its horror. His poetry tells a graphic story of war, it’s nightmarish realities and harrowing experiences. What it does to men and how it changes them. He was to die himself, in that nightmare, only seven days before it came to an end.

His writing exposed the lie of the glory of war especially to those who watched from the safety of untouched shores. Describing a poison gas attack in his poem

Dulce et Decorum Est

Bent like some beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime…
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, —
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old lie Dulce et decorum est,
Pro patria mori .

(it is a sweet thing to die for one’s country)

The last three novels I have read, have coincidentally, had war as one of their main themes, from unusual angles. One covering the First World War, one the Second, and one the Trojan war. Different weapons, centuries apart, same violence and death. As well as its horrors, they also covered the deep bonds and camaraderie between those who fight alongside each other, facing death at every turn. It is now ten years since the start of the war in Afghanistan. The names and photos of all those young lives lost, have been posted on news websites in a silent role of honour. There have been interviews of bereaved families, and grievously wounded soldiers, telling their stories of lives changed forever. Time and time again, I have heard these soldiers talk of their time in active theatre with glowing eyes and wistfulness. Even after being very seriously wounded, they would go back tomorrow if they could.

Wilfred Owen also knew this feeling.

Apologia pro Poemate Meo

I, too, saw God through mud—
The mud that cracked on cheeks when wretches smiled.
War brought more glory to their eyes than blood,
And gave their laughs more glee than shakes a child.

Merry it was to laugh there—
Where death becomes absurd and life absurder …

The title of the poem means ‘an explanation for my poetry’ , and these are the opening lines. I guess there never is a time more ‘real’, than when life is stripped down to its bare essential, survival. There is only the intensity of the moment, and living it with all you have and are. Perhaps this is what calls them back, as well as being back with their fellow soldiers? I can only speculate from the sidelines. I have lived through a couple of wars, but was not directly involved or affected, apart from being evacuated a few times. I am perhaps not qualified to speak, which is why I am using allot of other people’s words, who are.

In the First World War, it seems to me, there was so much blood spilled with very little actually gained. A mile or two of muddy Belgian Front, perhaps. Afghanistan is a very different type of war, and yet, ten years on, it is hard to see what, if anything has been gained. The costs, however, are very obvious.

“Every gun that is made, every warship launched, every rocket fired signifies in the final sense a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. This is not a way of life at all in any true sense. Under the clouds of war, it is humanity hanging on a cross of iron.” April 16, 1953 Eisenhower

Ghandi had a very similar view, put more concisely.
An eye for an eye, only makes the whole world blind.”

People in probably every war there has ever been, have thought similarly. Andrew Downing, an architect and poet who fought in the American civil war in the 1800’s wrote these lines, ( a selection from his poem The Bluebird) looking back to his experiences of war, and forward to the time when God’s Kingdom would come on earth, and the prophesy in Micah 4:3 about spears being used as pruning hooks, and ‘nation will not take up sword against nation, nor will they train for war, anymore.’ would come to pass.

I am reminded of the battle years

When men, full-armed, and wearing suits of blue,
Marched to the music of the fife and drum
In strong battalions in a southern land.
And all the pomp and blazonry of war–
Guidons and banners tossing in the breeze,
Sabers and muskets glinting in the sun,
Carriage and caisson rumbling o’er the stones,
The midnight vigil of the lone vidette,
The shock and roar of battle, and the shouts
Of the victorious army when the fight
Was done; the aftermath of sorrows deep–
The cries and moans of wounded, dying men,
The hurried burial of the dead at night,
The broken lives in many homes, the hearths
Made desolate–all these come back to me,
As I beheld and knew them once; and then,
In sad reflection to myself I sigh:
What weak, inglorious fools we mortals are
That war must be, or any need of war.

And yet, the better day is coming when
The teachings of the lowly Nazarene
Shall be the rule of nations–as of men;
The sword and bayonet shall be preserved,
By the fair children of a nobler race,
As relics only, of a barbarous past

AMEN.